Brooklyn’s Earthquake Lights is redefining alt-rock with their latest single, “Oil on Canvas.” Combining elements of orchestral grandeur, jazz-infused rhythms, and introspective lyrics, the band crafts a narrative that delves into the enigmatic world of art fraud while probing deeper questions of perception and self-worth.
Lead singer Myles Rodenhouse sets the stage, describing the song’s protagonist as a con man navigating the art scene by selling fake pieces as genuine works of art. Rodenhouse prompts listeners to ponder the subjective nature of value: what determines worth, and who holds the power to dictate it?
“Oil on Canvas” serves as a parable, challenging the notion of standardized norms and urging listeners to question the authority behind labels of excellence. The song’s exploration of perception extends beyond the art world, touching on themes of mental health and self-image.
In today’s society, where social media often dictates standards of beauty and success, individuals grapple with feelings of inadequacy and the pressure to conform. The con man’s fabrication of a reputation mirrors the internal struggle to reconcile one’s true identity with societal expectations.
As Earthquake Lights prepares for their third album, they continue to push boundaries and provoke thought with their music. “Oil on Canvas” stands as a testament to their evolution as artists, offering listeners a reflective journey through sound and storytelling.
With its haunting melodies and thought-provoking lyrics, “Oil on Canvas” invites audiences to contemplate the complexities of perception and the quest for self-discovery. Through their music, Earthquake Lights challenges listeners to see beyond the surface and explore the depths of human experience.
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